As an amature art critic and historian, I have always been drawn to the concept of Wabi-sabi. This Japanese aesthetic is based on the beauty of impermanence and imperfection, and it is an idea that I find particularly relevant when considering the work of Claude Monet. In particular, Monet's painting "Soleil Couchant sur la Seine" … Continue reading Why I feel wabi-sabi-ness in Monet’s Soleil Couchant sur la Seine