Gaston Leroux’s The Phantom of the Opera (Le Fantôme de l’Opéra) is often treated, in popular memory, as a lurid melodrama or simply the source-text for later musicals and films. Read on its own terms, however, the novel reveals itself as a compact study in theatricality: a work that stages questions about authorship, monstrosity, love, … Continue reading The Adaptable Educator’s Book Review – The Phantom of the Opera (Le Fantôme de l’Opéra) by Gaston Leroux
The New Renaissance Mindset 