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“Don’t Let Your Best Stuff Die With You, Dude” (Revisionist Shakespeare – Sonnet 13 for Gen X)

Oh, for fuck’s sake, just be yourself, you know?Why let your best damn years just fade away?You’ve got the goods, the spark, the inner glow—Don’t let it vanish like some old mixtape day. Look, man, the world’s gonna take its toll,Your youth’s a rental, not a permanent stay;Time’s gonna knock the shine right off your … Continue reading “Don’t Let Your Best Stuff Die With You, Dude” (Revisionist Shakespeare – Sonnet 13 for Gen X)

500 Works of Art on the Road to Your Creativity #194 – Paper-Thin 09-001

Paper-Thin 09-001: The History: Share what you see and continue the story. This series was a challenge I gave myself to see how thin I could make the clay before it cracked… It was a great learning experience with various materials. How to slow-dry the clay, when to add engobes, how to handle it before500 … Continue reading 500 Works of Art on the Road to Your Creativity #194 – Paper-Thin 09-001

T.A.E.’s Art Reviews – “Too Much Solitude”

“Too Much Solitude” can be approached as a study in the visual grammar of isolation: not simply loneliness as a subject, but solitude as a condition that reorganizes perception. The work appears to be based on what seems to have been an artist’s challenge to render a Pinterest image (see the Pin at https://pin.it/2NBJkTJV0). That … Continue reading T.A.E.’s Art Reviews – “Too Much Solitude”

Into The Fold

I used a terracotta clay body and wanted to see just how thin I could go. I managed to get it down to about 2mm thick. I had to time it just right, as working it too wet would leave me with tears in the clay, and it wouldn’t hold up on its own. TooInto … Continue reading Into The Fold

500 Works of Art on the Road to Your Creativity #192 – Paper-Thin 09-003

Paper-Thin 09-003: The History: Share what you see and continue the story. This series was a challenge I gave myself to see how thin I could make the clay before it cracked… It was a great learning experience with various materials. How to slow-dry the clay, when to add engobes, how to handle it before500 … Continue reading 500 Works of Art on the Road to Your Creativity #192 – Paper-Thin 09-003

Chrysalis Teapot

This started with soft scraps of clay and transformed into a teapot. My amazing daughter was with me in the studio and she added the butterflies. The glaze was a Cone 6 creme that didn’t like the stoneware clay body very much. it was painted on, instead of being dipped. I also painted a manganeseChrysalis … Continue reading Chrysalis Teapot

500 Works of Art on the Road to Your Creativity #191 – Paper-Thin 09-004

Paper-Thin 09-004: The History: Share what you see and continue the story. This series was a challenge I gave myself to see how thin I could make the clay before it cracked… It was a great learning experience with various materials. How to slow-dry the clay, when to add engobes, how to handle it before500 … Continue reading 500 Works of Art on the Road to Your Creativity #191 – Paper-Thin 09-004

T.A.E.’s Art Reviews – La Foule Québécoise: Sept

The painting presents a small congregation of human figures—partially schematic, front-facing, and legible less as individualized portraits than as recurring “types”—arranged around a dominant horizontal plane that reads as either a table edge, a barrier, or a shared surface of social contact. Their enlarged, simplified faces and the thick, dark outlines organizing the bodies evoke … Continue reading T.A.E.’s Art Reviews – La Foule Québécoise: Sept

T.A.E.’s Art Reviews – La Foule Québécoise: Six

The painting presents five standing human figures rendered with a deliberately simplified, almost icon-like naturalism: bodies are built through broad fields of colour, their outlines emphasized by dark, defining contours. Rather than modeling faces or gesturing hands with anatomical specificity, the work privileges schematic presence—suggesting not individualized portraits so much as roles, identities, or social … Continue reading T.A.E.’s Art Reviews – La Foule Québécoise: Six

Abstract Ship

Again using scraps of slabs and joining them together into whatever shape they decide. This was done while I was seeing the smokestacks of ships in my imagination. I decided to experiment with a red engobe of my own mixture. It would have been more vibrantly red, had I fired it at Cone 04, insteadAbstract … Continue reading Abstract Ship