Emergence #4

R-Emergence #4

The History & The Influence: Confessions of a Plagiarist, sort of

This one is filled with surprise and fear for me. As if he is being pushed against his will to leave his cocoon. I can relate to this face, as it is how I’ve felt on many occasions when leaving my own comfort zone to venture out into the unknown. Creativity and expression are often like this. You can resist it, but it will move you forward, no matter what you do. So, don’t resist it. Look to the heavens, and let yourself emerge.

The Technique: How I did this awesomeness!

I used a stoneware clay body because the grogged clay dries slower and holds better forms for the long arms. Starting with quarter-inch slabs and working it in a soft-leather-hard state, I cut and formed the various parts: arms, head, torso, and base. Attaching them all together with some scoring and slip. I let it sit to dry for about thirty mins, before using a damp sponge to smooth out the seams and scoring the scars on the body. Then I covered it in a sheet of newsprint and dry-cleaner’s plastic to dry slowly for about a week. Then I pulled it out, evaluated and repaired any flaws I saw, before letting dry to bone-dry state and sending to be bisque-fired.

The body is thickly painted with several coats of manganese stain. The base is painted in alternating coats of Glossy Black & Pinel Green glazes. The result after the firing of this glazing method remains unpredictable in that it isn’t clear how much of each glaze will rise to be dominant. Finishing with the Pinel green glaze seems to give it more prominence.

You win at dueling banjos When you have The Artist’s Stuff: Prints, Fashion, and uniquely awesome decor ideas.  

Books that Inspired and Influenced my Experimentation:

These are perhaps the most obvious influences, but the truth is that my influences run deep through thousands of books and works I’ve seen & read. If you have the time, you are free to visit my GoodReads library to see a fraction of the books I’ve read. These are the ones I remember, that is. Or you can visit the ever-growing collection on my Pinterest account.

Electric Kiln Ceramics: A Guide to Clays and Glazes by Richard Zakin

Working with Clay by Susan Peterson

The Craft and Art of Clay by Susan Peterson

Slab-built Ceramics by Coll Minogue

The Art of Handbuilt Ceramics by Susan Bruce

Mastering Raku: Making Ware * Glazes * Building Kilns * Firing by Steven Branfman

500 Raku: Bold Explorations of a Dynamic Ceramics Technique by Ray Hemachandra, Jim Romberg

Masters: Earthenware: Major Works by Leading Artists by Ray Hemachandra (Editor), Matthias Ostermann

The Unknown Craftsman: A Japanese Insight Into Beauty by Soetsu Yanagi, Bernard Leach (Adapted by), Shoji Hamada (Foreword)

Decorating Techniques (Ceramics Class) by Joaquin Chavarria

The Figure in Clay: Contemporary Sculpting Techniques by Master Artists by Lark Books, Suzanne J.E. Tourtillott

Japanese Wood-Fired Ceramics by Marc Lancet

Contemporary Clay: Japanese Ceramics for the New Century by Joe Earle

500 Figures in Clay: Ceramic Artists Celebrate the Human Form by Veronika Alice Gunter

Ceramic Design Course: Principles, Practice, and Techniques: A Complete Course for Ceramicists by Anthony Quinn

Wabi Sabi: The Japanese Art of Impermanence by Andrew Juniper

Potter’s Guide to Ceramic Surfaces by Jo Connell

The Ceramic Glaze Handbook: Materials, Techniques, Formulas by Mark Burleson

Fired Up with Raku: Over 300 Raku Recipes by Irene Poulton

Isamu Noguchi and Modern Japanese Ceramics: A Close Embrace of the Earth by Louise Allison Cort, Bert Winther-Tamaki

Modern Japanese Ceramics: Pathways of Innovation & Tradition by Anneliese Crueger, Wulf Crueger, Saeko Ito

Robin Hopper Ceramics: A Lifetime of Works, Ideas, and Teachings by Robin Hopper

Slab Techniques (Ceramics Handbook) by Jim Robison, Ian Marsh

Sculptural Ceramics by Ian Gregory

Handbuilt Ceramics: Pinching * Coiling * Extruding * Molding * Slip Casting * Slab Work by Kathy Triplett, Lark Books

The Penland Book of Ceramics: Master Classes in Ceramic Techniques by Lark Books

Ceramics – Ways of Creation by Richard Zakin

Surface Design for Ceramics by Maureen Mills

 The Materials: Quick! Order this stuff right now, AND You too can make masterpieces!

Pottery supplies:

Clays: I’ve used mostly Cone 6 clays from Pottery Supply House:

SHEBA RAKU CLAY: The Review: In its raw state, it is an ugly finish. It changes the chemical reaction and thus the colors of the glazes used on it. It has a finer grog in it and is a great clay for beginner hand-builders. Oddly, it loves Pete Pinel’s green glaze. Also works beautifully with matte glazes.

Glazes: 

These were usually private mixes from the studios I worked in. I never asked for the recipes. When I graduated to the private studio, under the mentorship of porcelain master Marie Cote, I used her clear glaze as the base for all my experimentation and mixes. It was the most robust and versatile glaze available and allowed me to mix in pure pigments and metals without runoff or kiln incidents. Make sure to ask your local supplier for a stable clear glaze and play with it. 

Stains, Engobes, & Underglazes

Most of these come from Pottery Supply House or Sial. This is where you need to play a little.

These are the ones I’ve played with the most to make my own:

BLACK IRON OXIDE:

RED IRON OXIDE:

MANGANESE DIOXIDE:

You can play with Other Raw Pigments, but make sure you ask for what’s in them & if they can mix with your glazes. Certain minerals and metals will cause your glazes to crackle or drip off the surface during firing, and some may cause explosions.

Pottery Tools:

You can get these awesome starter kits:

1- niceEshop 30pcs Clay Sculpting Tools Pottery Carving Tool Set Wooden Handle Modelling Clay Tools with Pouch Bag

2- Celendi Professional Sculpture Carving Tool SetThe review: Both of these sets give you a vast range of possibilities for turning, hand-building, carving, trimming, and marking.

Some of my tools come from Pottery Supply House or Sial. Some I made myself. Marking tools really come from your imagination and almost anything can be used. You can spend a small fortune for them or make them yourself. You can get loads of materials from the dollar store to make them.

Brushes & applicators:

I found that Calligraphy Brushes & Bamboo Brushes worked the best and I indulged in a variety of big ones. They hold much more glaze and helped me achieve more uniform coatings when I wasn’t dipping the bisqued pieces. They also allowed me the finer tips for greater details when wanted.

You can easily get squeeze bottles from the dollar store, but the drip control is better with pro tools.

If you are uncertain of what to get, simply order a few or all of the following:

1” HAKE BRUSH:

2” HAKE BRUSH: 

3” HAKE BRUSH:

BAMBOO BRUSH SET OF 5:

BIG BRUSH # 44:

Note: Some of these brushes can be found at local art supply stores as well.

Miscellaneous: I also mixed into my glazes and onto the surface of my clays, asphalt, beach sand, glass beads & marbles, gold, silver, & copper wire, and a variety of metal dust. Some came from pottery supply houses, some from hardware stores, some simply found.

Warning: I don’t suggest you use any of these without supervision or the go-ahead from an experienced kiln technician or master potter. Some of these release gazes in the kiln that causes other glazes to change color, drip off the pieces, and they may even explode in the kiln. I used my knowledge of chemical reactions combined with the careful study of firing mistakes to create my results. And, I always had the benefit of masters advising me on the potential dangers.

Photoshop for MacThe Review: You could use the free “ MAC Photos” program or Picassa and possibly get the similar results, but Photoshop offers you the flexibility of presenting yourself as a pro photographer, like no other program. There’s a reason it’s considered the best of the best, after all. So, this allows you the possibility of selling this service to others and funding more of your creativity

Apple MacBook Pro 15.4″ Laptop: The Review: You may choose to get an iMac for the bigger screen, and I couldn’t disagree with the beauty of working with the 24” screen. I picked the laptop, because of the need to be mobile and the flexibility of multi-purposing it to use for client demos. As an alternative to the weight of this model, I would suggest the MacBook Air 13”. Most of us have become accustomed to mobile device size screens and it is much easier to carry around.

Camera: Canon EOS Rebel T6 DSLR: The Review: My first DSLR camera was the EOS Rebel T3. This one is vastly superior to the old model. Canon has a well-deserved reputation of having top rated cameras. It requires a little play time to master it, and that time will be lessened by defining a clear idea of what you want to do with it, then jumping on YouTube for the multitude of How To videos. If you want a smaller camera to carry around, try Canon EOS M10 Mirrorless Digital Camera OR go small & powerful with the Canon PowerShot Digital Camera with 3-Inch LCD & built-in wifi.

Canon PIXMA MX492 Inkjet Printer: The Review: For me, this has been the easiest to use for cleaning and cartridge replacement. It works reasonably well with recycled inks and the wireless is easy to set-up. The Canon has worked best for me on ink usage. When purchasing printers, always consider the cost of ink replacement… for the most part, this is the big difference right now in printers. For big reproduction lines, it is better to outsource. For scanning, they are as good as the camera in them… this is one reason I’m a fan of Canon products. It does do a nice job on printing photos on good photo paper, and the black print is crisp and clean, provided you do regular cleanings and keep it dust free.

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