It was mid August when I finally rowed my. kayak out to the small island sitting a few hundred yards from my place, the water was low and the shoreline was littered with the best rocks imaginable for building my monuments... only these rocks were all grey and presumably of the same shale... this inspired … Continue reading Not All Is Grey – Precarious Stones Rock Art
A Monument – Precarious Stones Rock Art
Location: Parc Nature du Bois-de-L'ile-Bizard, Qc.
Twelve Noon – Precarious Stones Rock Art
What do you see? What do you feel? Location: Ile Bizars, Quebec
Basalt Deconstruction – Precarious Stones Rock Art
Searching for the perfect stones isn't easy, there is a certain level of trial and error involved. I found the long square stone, much like a paving stone or wall rock, and then needed to see where I could stand it up. I seem to recall trying to use it as a balance with stones … Continue reading Basalt Deconstruction – Precarious Stones Rock Art
Working out an inspiration – T’Hed Sixty-two: Time to move on…
See more at T'Hed Sixty-One... Like the sideways face, I feel the upside down one is also more expressive. Maybe I'm just attracted to the unusual, but I feel the strange orientation draws the viewer's eye more to the face, than the bold colours of the background. I still feel that I need to use … Continue reading Working out an inspiration – T’Hed Sixty-two: Time to move on…
Working out an Inspiration – T’Hed Sixty-one: Layers
See more at T'Hed Sixty... Oddly, the simple stacking of the the colour blocks feels right behind the face, but they still distract from the lines of the face. Only the face needs to be done with. a thicker ink nib. do love the long, wavy necks and the tilting of the head on the … Continue reading Working out an Inspiration – T’Hed Sixty-one: Layers
Working out an I aspiration – T’Hed Sixty: Oversimplification
See more at T'Hed Fifty-Nine... I'm aware that being critical of one's work isn't the best way of marketing it, but my goal here isn't about that... it must remain a reflective process on my material explorations. Having said so, the main issues I have with this one are that the ink nib needs to … Continue reading Working out an I aspiration – T’Hed Sixty: Oversimplification
Working out an Inspiration – T’Hed Fifty-Nine: Stretch Back
See more at T'Hed Fifty-Eight... It seems my default for the second attempt with new materials has become making multiple heads. The ink pen works well for smaller faces, but I feel I've become impatient when I don't have a clear vision of what I want... more so when I don't feel I'm achieving the … Continue reading Working out an Inspiration – T’Hed Fifty-Nine: Stretch Back
Working out an inspiration – T’hed Fifty-Eight: Retro
See more at T'Hed Fifty-Seven... The main focus ere was to use acrylic inks and my nib tipped ink pen and ink well. This short series of five drawings all started with the painting (with a China brush) large forms in the three primary ink colours. When dry, they sat untouched for a few weeks, … Continue reading Working out an inspiration – T’hed Fifty-Eight: Retro
Working out an Inspiration – T’Hed Fifty-Seven: A Deconstructed Italian Flag?
See T'Hed Fifty-Six for more... Ok, so maybe I'm reaching with my title question... a red stripe... a white stripe... where's the green stripe? Perhaps the yellow and blue floaters have the answer... if they combine... Yes, I'm reaching! The rough and raw feel (ie: messy) that I love works on this one and gives … Continue reading Working out an Inspiration – T’Hed Fifty-Seven: A Deconstructed Italian Flag?
The New Renaissance Mindset 