“Disappointment” stages affect as a problem of surface rather than of expression alone. The work’s central stylistic impulse is textural portraiture within a collage-like, erosion-based aesthetic: the face appears through abrasions, overpainting, and scrape marks, as though the image were being uncovered while simultaneously being damaged. The result is a visual rhetoric of incompletion. Unlike representational … Continue reading T.A.E.’s Art Reviews – Disappointment
T.A.E.’s Art Reviews – Doubt
“Doubt” presents itself less as a legible figure than as a contested surface: a human face emerges through layers of corrosion-like pigment, abrasion, and scrape-marked textures. The image’s primary stylistic sensation is expressionistic collage, where the logic of painting is repeatedly interrupted by the logic of failure—peeling, scraping, and overpainting. Rather than modeling the face with … Continue reading T.A.E.’s Art Reviews – Doubt
T.A.E.’s Art Reviews – Palestinian Roots
"Palestinian Roots" is a compelling acrylic painting that immediately captivates the viewer through its vibrant impasto technique and deeply symbolic subject matter. This work transcends mere representation, offering a potent visual metaphor for resilience, heritage, and connection to land. Artistic Merit The artistic merit of "Palestinian Roots" lies in its dynamic execution and emotive power. … Continue reading T.A.E.’s Art Reviews – Palestinian Roots
T.A.E.’s Art Reviews – Sawsan’s Elephant
“Sawsan’s Elephant” presents the viewer with a centrally framed, frontal presence: an elephant rendered less as a fully observed animal than as an image—compressed into face, trunk, and column-like legs—against a cool, airy ground. The work’s most immediate stylistic feature is its monochrome gravity. A limited palette of bluish greys and near-black forms emphasizes weight … Continue reading T.A.E.’s Art Reviews – Sawsan’s Elephant
Sawsan’s New Elephant – baby steps
In case I didn't state it in my last post on this new painting, I'm still thinking g of making this mostly monochromatic... mostly meaning it will be deeply layered overweigh greys and whites... we shall see if I change my mind, but for now, I started as I intended ... with some undercoats of colour. … Continue reading Sawsan’s New Elephant – baby steps
A New Project – Sawsan’s Elephants
A few years ago I painted an elephant for my wife, Sawsan. It's her favourite painting. It forced me out of my comfort zone to paint in that style and I've wanted to return to it ever since... plans for finishing a teaching degree, relocation to another country, selling house, moving around, and finally settling … Continue reading A New Project – Sawsan’s Elephants
Pablo Picasso isn’t an Asshole – A Few Finishing Touches.
Another surprising realization in my process and I feel a great relief for realizing it: I will probably never be certain if a piece is completely finished, much less be rid of the feeling that I might need to put more on it, but I now understand what I've read in other artists processes... you … Continue reading Pablo Picasso isn’t an Asshole – A Few Finishing Touches.
Pablo Picasso isn’t an Asshole – A Whiskey Burst of activity
I've been dabbling on the skin for days... a touch of pink and green, then I'm stumped by dissatisfaction... It doesn't work with the sky and I need to see how to make it work! The last few days have been an emotional rollercoaster with life events and family matters... I needed to let go … Continue reading Pablo Picasso isn’t an Asshole – A Whiskey Burst of activity
Pablo Picasso isn’t an Asshole – Starting the Skin…
Because I've been pre-posting these entries while I do other projects, they appear daily, but my progress isn't daily... in fact, I've been staring at the figure doe a few days trying to decide on how I want to approach the skin-tones... My gut is telling me to play the green-pink contrast and then add … Continue reading Pablo Picasso isn’t an Asshole – Starting the Skin…
Pablo Picasso isn’t an Asshole – Starting the Figure, and other stuff…
As stated yesterday, the beachfront wasn't complete when I started on the figure, but it will be over the next few images... On the figure I dove in with some Payne's Grey for the black areas and played with a little vermillion hue for the pants and transitions between the black and white lines on … Continue reading Pablo Picasso isn’t an Asshole – Starting the Figure, and other stuff…